Now that me and my older brother are continents apart, and much more older - we are actually getting along. This comes as a huge surprise to me because we have constantly fought like cats and dogs, much to the indifference of our loving mother and poor little baby brother that will never cease to be the subject of our ridicule.
The musical snob that he is, he and his very good friend has finally decided to put up a blog called
Cultchas: Web log for the underrated and atypical. His blog is all about music. Since he lives in Manila, Philippines and I live here in New York City - the "genius" of an older brother that he is - he has appointed me as the Cultchas Correspondent for New York. (yearly salary: zero dollars)
My first assignment was to interview and photograph
Don Friedman. He is a jazz pianist - and from what i have gathered while he was being introduced at the show with the Nicole Pasternak Quintet, he is a very very good jazz player.
Besides knowing what jazz sounds like - i really dont know much. I know a couple of names: Miles Davis, Duke Ellington, Ella Fitzgerald but that's about it. I cant even differentiate them - and i think much to the dismay of my brother, I am little sister music stupid. (to my credit though, i have a disdain for hiphop and rap)
While my ignorance is frowned upon, the silver lining shines bright. I can interview and photograph Mr. Friedman in complete ease and a very relaxed manner. Kind of just another day at work for Larry King and Annie Leibovitz.
Photographing him in a low light setting without a flash was tricky, but doable (lesson learned: never leave the house without the prime lens). I also got a couple of good action shots. (i really wish i brought the prime lens with me) The interview? It was not without its booboo. Halfway through it i realized that my handy dandy little video camera wasnt on. haha.
He is certainly one of the sweetest people i have met..
Thank you, Mr. Friedman, for the wonderful opportunity of meeting, interviewing and photographing you.
Don Friedman by
Stella Dacuma for
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